Jazz Targeting for Band Directors: A Practical Improvisation Curriculum for School Jazz Ensembles
Master Jazz Improvisation Effortlessly For You and Your Students
Watch Promo Teach Jazz Improvisation with Confidence - Even If You’re Not a Jazz Specialist
"Prior to Targeting; I was lost in a sea of 'Jazz knowledge' and method books. Jason breaks it all down. Even the stuff that I didn't realize went into it. This helped me break down a song, simplify things, and be able to play through those changes."
- Scott Hult, Trumpet Player- Nashville, TN

"It's given me a different and fresh outlook on how to improvise and walk bass lines!"
- Corbin Jones, Bassist/Sousaphone- Los Angeles, CA
Your Students Don’t Need More Random Scale Advice
Many students are introduced to improvisation with one sentence:
“Use this scale over these chords.”
That might be technically correct, but it rarely solves the real problem.
Students still ask:
- What do I actually play?
- How do I make it sound like music?
- How do I stop running scales?
- How do I know where my line is going?
- How do I solo without freezing?
That is where Jazz Targeting comes in.
Jazz Targeting teaches students to stop guessing and start aiming.
Instead of treating improvisation as random notes or memorized licks, students learn to create phrases with direction by choosing musical targets and using practical tools to get there.
A Practical Improvisation Curriculum for Busy Band Directors
Jazz Targeting for Band Directors is designed to help you teach improvisation in clear, manageable steps.
You do not need to turn every rehearsal into a jazz theory class.
You do not need to explain every possible scale choice.
You do not need to be the strongest improviser in the room.
You need a system your students can understand, practice, and apply.
This course gives you that system.
What Makes Jazz Targeting Different?
Many improvisation resources start with scales, modes, and chord-scale theory.
Jazz Targeting starts with a simpler musical question:
“Where is the line going?”
Students learn to choose target notes and build phrases that resolve intentionally.
This helps them develop:
- clearer phrase endings
- stronger melodic direction
- better time feel
- more confidence
- more purposeful note choices
- a deeper understanding of tension and resolution
- a practical way to apply jazz vocabulary
The goal is not to create students who merely know scales.
The goal is to create students who can build musical ideas.
Built for Real Teaching Situations
This is not just a collection of improvisation videos.
This course is designed to help directors actually teach the material.
You’ll receive:
- step-by-step lesson sequences
- student worksheets
- classroom slide decks
- downloadable PDFs
- practice assignments
- playing exercises
- assessment rubric
- rehearsal-ready activities
- director-friendly explanations
- pacing ideas for different teaching situations
Use it in:
- jazz ensemble rehearsal
- combo coaching
- private lessons
- improvisation units
- sectionals
- independent student study
- festival preparation
- summer camps or workshops
This Course Is For You If…
This course is a good fit if you are a band director who:
- wants students to improvise with more confidence
- needs a clearer way to teach jazz soloing
- does not want to rely only on “use this scale”
- wants practical rehearsal-ready materials
- teaches students who freeze during solos
- has students who run scales but do not create phrases
- wants a sequential improvisation curriculum
- wants students to understand tension and resolution
- wants to help students develop their own voice
This Course Is Also Helpful For…
- private lesson teachers
- jazz combo directors
- college music education students
- community ensemble directors
- beginning improvisers
- intermediate improvisers who want more direction
- advanced students looking for a targeting-based practice system
What Students Will Be Able to Do
By the end of the course, students will be able to:
- understand improvisation as intentional musical choice
- identify target notes in key areas and chords
- create phrases that resolve clearly
- use pentatonic, chromatic, rhythmic, blues, minor, diminished, and altered tools
- analyze etudes and transcriptions through targeting
- adapt musical ideas instead of only copying them
- practice in multiple keys and tempos
- create more confident, melodic solos
Why Band Directors Like This Approach
Jazz Targeting gives directors a clear way to talk about improvisation without overwhelming students.
Instead of saying:
“Just use this scale.”
You can say:
“Choose your target. Now build a phrase that lands there.”
That one shift gives students a goal.
It also gives you something to teach, hear, and assess.
Pricing
Monthly Access
$39/month
A flexible option for directors who want to start using the curriculum right away.
Includes access to the full Jazz Targeting for Band Directors course and all included materials.
Annual Access - Best Value
$349/year
Save $119 compared with monthly billing.
Best for directors who want to use the curriculum across the full school year, revisit materials, and build Jazz Targeting into their long-term ensemble instruction.
Which Plan Should I Choose?
Choose Monthly Access if you want to try the course and begin using it with your students immediately.
Choose Annual Access if you want the best value and plan to use the materials throughout the school year.
Most directors will get the most value from the annual plan.
A Better Way to Teach Improvisation
Your students do not need to wait until they know every scale before they can start improvising.
They need a musical destination.
They need clear tools.
They need guided practice.
They need to hear when a phrase resolves.
They need a system that helps them make musical choices with purpose.
That is what Jazz Targeting provides.
Start Teaching Improvisation with More Confidence
Give your students a practical way to create solos that sound intentional, melodic, and connected to the music.
"Targeting has really zeroed in on some very essential aspects of improvisation for the jazz and commercial player. Perfect for those new to the art or advancing players - check it out!"
- Al Hood, Associate Professor of Trumpet
Lamont School of Music
Jazz and Solo Artist
Your Instructor
Jason Klobnak is a versatile trumpet player that has been performing as an active musician, author, clinician, composer and educator. His bands, J’s Ruckus and the Jason Klobnak Quintet/Quartet (JKQ) are made up of high-caliber musicians known for their professionalism and versatility. Both perform infectious originals with a B3 organ centered rhythm section; they blend hard bop, soul, gospel, and hip-hop to create a memorable live experience.
Besides the JKQ, Mr. Klobnak is a B.A.C. (Best American Craftsman-custom trumpet), Denis Wick (mouthpiece and mutes) and Westone Audio endorsed artist (ES20 and Tru Customs). Mr. Klobnak has played and recorded for numerous groups ranging from jazz, soul/R&B, indie-rock/pop and gospel. In addition to performing, he has also written two improvisation-based books called Targeting: Improvisation With Purpose and Breaking the Monotony and is currently the Music Program Chair at Arapahoe Community College. Mr. Klobnak holds a bachelor degree from Drake University (Des Moines, IA) and a Master’s degree from the University of Denver, Lamont School of Music (Denver, CO).
Course Curriculum
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StartWelcome - How to Use This Curriculum
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PreviewWho is Jason?
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PreviewWhat IS Targeting?
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StartWhy Targeting Works Better Than “Use This Scale”
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PreviewThe Director’s Role - Facilitate, Don’t Over-Explain
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StartIt Starts with Rhythm
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StartBasic Theory
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StartHow to Find A Key Area
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StartTension & Resolution-THE KEY TO TARGETING
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PreviewThe 10-Minute Rehearsal Model
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StartHow to Use Worksheets, Slides, and Rubrics
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StartSuggested Pacing and Implementation Plans
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StartStudent Pre-Assessment
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StartImprovisation Confidence Survey
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StartBaseline Solo Recording Assignment
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StartGeneral Improvisation Rubric
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PreviewPut It Into Context
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PreviewOther Tools We're Using
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StartModule Description
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StartDirector Overview
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PreviewWhat Are Pentatonics, and Why Do They Help Beginning Improvisers?
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StartBuilding Blocks - Pentatonics as The Backbone Of Melodic Content
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PreviewIndividual Exercises - Getting Pentatonics Under the Fingers and in the Ears (4:41)
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StartRehearsal Exercises - Getting the Whole Band Involved
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StartPutting It Together - Applying Pentatonic Targeting in Solos (2:24)
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Start10-Minute Rehearsal Plan: Pentatonic Targeting
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StartModule Description
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StartWhat Is Chromatic Targeting?
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StartBuilding Blocks - Approaching From Above & Below
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StartExercises - Getting Chromatic Targeting Under the Fingers and in the Ears (4:15)
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StartRehearsal Exercises - Chromatic Targeting Rehearsal Exercise
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StartPutting It Together - Applying Chromatic Targeting in Solos, Charts, and Key Areas (2:23)
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Start10-Minute Rehearsal Plan: Chromatic Targeting Goal